Islamabad, April 19, 2025 – Celebrated Pakistani screenwriter and playwright Khalilur Rehman Qamar has announced a surprising shift in his career, expressing his readiness to work with the Indian film industry after years of self-imposed restrictions. Known for his impactful storytelling and patriotic fervor, Qamar revealed his decision during a candid podcast interview, citing personal experiences and evolving perspectives as reasons for this change.
Qamar, whose works have resonated deeply with Pakistani audiences, had previously declined numerous offers from Indian filmmakers. “I held a firm stance against working in India for a long time,” he shared. “But recent events have led me to reconsider.” The writer pointed to a traumatic incident in which he was allegedly ensnared in a “honey trap,” kidnapped, and subjected to torture. The conviction of those responsible has brought him some closure, but it also prompted a reevaluation of his principles. “I’ve always stood by my country, but I feel my loyalty was not reciprocated in the way I expected,” he said, hinting at a sense of disillusionment.
The playwright also stirred conversation by alleging that a well-known Bollywood film from 2000, featuring a character named Ganga, drew heavily from his 1999 Pakistan Television drama Boota from Toba Tek Singh. According to Qamar, Indian filmmakers obtained a copy of his drama through a renowned Pakistani musician and later crafted a lead character that mirrored the essence of his creation. “The film’s storyline wasn’t identical, but the protagonist’s spirit was unmistakably inspired by my work,” he claimed.
Qamar didn’t shy away from addressing the disparities in how artists are treated across borders. He noted that Indian actors are often met with overwhelming media attention in Pakistan, while Pakistani artists in India frequently go unrecognized. “Our media celebrates Indian stars, but in India, our artists have to explain who they are,” he remarked, highlighting the lack of exposure for Pakistani television content in India.
Despite these grievances, Qamar’s recent hardships have softened his stance. “After surviving an attempt on my life, I’ve decided to move forward without limitations,” he declared. His announcement signals a new chapter for the writer, whose bold narratives and distinctive voice could soon leave a mark on Indian cinema.
As Qamar prepares to cross borders, his decision has sparked curiosity about what collaborations might emerge. For now, the Pakistani entertainment industry watches closely as one of its luminaries takes a step toward bridging the divide with India’s cinematic landscape.
